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The work of Esteban Huacuja also known as ST!VN (1990) today becomes a cult of the hybridization of images, languages, subjectivities and hidden desires that are constructed in pieces that adhere to the collective memory through the resources of mass-media culture.


As an allegorical device STIVN's work becomes an encounter of multiple languages that are created from a genealogy of parallel worlds. The complexity of its processes, materials and technical resources give the artist's work its own meta–language that defines a diverse and seductive experience for the viewer, fading any quality of meaningful representation, which is transmuted through the senses and moves between the real, the symbolic, the imaginary and the virtual, and which intuitively captivates by their complexity.

—Félix Feria, 2021